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APA – A performance Affair

 

 

Arsenic

 

 

Berliner Festspiele

 

 

Beursschouwburg

 

 

Biennale Danza

 

 

Centre Pompidou

 

 

CND – Centre nationale de la danse

 

 

Charleroi danse 

 

 

Chisenhale Gallery

 

 

Danspace Project

 

 

Delfina Foundation

 

 

Documenta

 

 

Draf – David Roberts Art Foundation

 

 

Europalia

 

 

Festival d’Automne à Paris

 

 

Festival d’Avignon

 

 

Frieze London

 

 

Fondation Cartier pour l’art contemporaine

 

 

Fondation d’entreprise Hermès

 

 

Fondazione Furla

 

 

Fondazione Prada

 

 

Gessnerallee Zürich

 

 

Greene Naftali

 

 

HAU – Hebbel am Ufer Berlin

 

 

ICI – CCN 

 

 

Kunstenfestivaldesarts

 

 

Lafayette Anticipations

 

 

Les Laboratoires d’Aubervilliers

 

 

La Monnaie / De Munt

 

 

Manifesta

 

 

Maureen Paley

 

 

Ménagerie de verre

 

 

Mercat de les flors – DanceHouse

 

 

Meyer Riegger

 

 

MOCA – The Museum of Contemporary Art

 

 

MoMa

 

 

Musée de la danse

 

 

Nanterre – Amandiers 

 

 

Onassis Foundation

 

 

PACT Zollverein

 

 

Palais de Tokyo

 

 

Parades for FIAC

 

 

Pavilon ADC

 

 

Performa

 

 

Performance Exchange

 

 

Raven Row

 

 

Ruhrtriennale

 

 

Schauspielhaus Zürich

 

 

Southard Reid

 

 

Stedelijk Museum

 

 

Tanz im August

 

 

Tanzhaus Zürich

 

 

T2G Théâtre de Gennevilliers

 

 

TQW – Tanzquartier Wien

 

 

Tate Modern

 

 

The Glass House

 

 

The Kitchen

 

 

Théâtre de la Ville

 

 

Théâtre National de Chaillot

 

 

Triennale – Teatro dell’arte

 

 

Kaaitheater

 

 

KANAL

 

 

Kaserne Basel

 

 

Künstlerhaus Mousonturm

 

 

KVS

 

 

Vleeshal

 

 

Volksbühne Berlin

 

 

Walker Art Center

 

 

Whitney Museum

 

 

 

Guide

July/August 2022


BRUNO by Alyx Eynaudi

BRUNO emerges from the mist like a stranded ship, a sigh left there. It cascades away into a pause. A piece of hole. Something that doesn’t happen. A breeze of what didn’t take place. A haunting. To let ourselves be haunted, to let ourselves be sang, to sigh, together. To not do much. To step aside, to let a rumbling moment pass, to weave thoughts against a break, to nestle inside of a break. To brake, together. To rest, to be absent from an event, together. To caress a thought. To rest, to stay there. To not worry about a flow, to do things in vain. To not write scores, protocols, to wait, cry, stop, to not fill, to hold back the filling, to dance next to our shoes. To open a hand and let go, to not hold back, to lighten, to tenderly support, to relieve. BRUNO, a follow spot, an anticipation, a point of dew, an erotic assembly, a blinking dance.  À cheval between languages, BRUNO strips the writing away from the dance, in chains, in lights, beaming, vaping, a somber extravaganza folded into a room.

 

 

Imagine a tower of countless lamps and light sources. It comes to life buzzing, creaking and crackling to the rhythm of switching sounds. Named after the light designer Bruno Pocheron, BRUNO brings together a series of dances oscillating between figuration and abstraction with three dancers trying on their movements as if they were clothes: every touch, every gesture, however fugitive, forever printed.

 

 

 

All images © Samuel Feldhandler

 

 

 

BRUNO

 

9th – 10th March

 

Kaaitheater

 

 

 

The fellowship of BRUNO is composed of Hugo Le Brigand, Mark Lorimer, Alix Eynaudi, Cécile Tonizzo, An Breugelmans, Bruno Pocheron, Paul Kotal